I wrote this post over two days on Notepad while travelling (and in between filming). It’s my third day in KL now but I feel like I’ve been here forever!
Because I have a lot of trouble getting an Internet connection in most of our filming locations and even at the hotel, even when I’m willing to pay for it, I can’t do on-the-spot live blogging in little bits as I originally planned.
So, here’s a delayed but extended blogcast.
Filming in KL — Day 1
Oct 6, 2008
I’m waiting at a bus-stop for my director to pick me up. I’m a little embarrassed about carrying so much stuff. I’m expecting him to gasp in shock when he arrives.
He’s here and he’s not gasping at my baggage. Phew. We drive on to Maria’s place.
Maria is my co-actress and this is her on the right. She’s so pretty I could stare at her all day. ;)
After getting her, we shoot a short sequence.
And then I take over the wheel and drive us to the Tuas Checkpoint because our director wants to film me driving.
This is Kan Lume, our director, and an award-winning one at that. He’s framing a shot on his compact camera.
He’s a one-man-crew for this film because he enjoys DIY filmmaking. And we’re working on an experimental film with the working title of “God is a Woman”, about two women travelling to KL to seek their fortunes as models.
In the drivers’ seat, I manage to delay our trip by making two wrong turns, which is typical of me. (I had warned Kan beforehand and he was very aware of the risk of giving me the wheel.)
We get through both Singapore and JB checkpoints without much incident and stop at a nearby petrol station to shoot.
There’s a pink bus at the station. Cute!
I have a solo scene in a smelly male toilet while Maria has one in the car.
It’s really quite cool. I’ve never had an acting gig like that before, where we shoot while we’re travelling. Like a road trip movie.
It even feels like we’re really on a holiday.
I’m now in the back seat of the car, trying not to get nauseous as I blog on my tiny MSI wind as we speed along the North-South Highway.
We stop at a rest stop and Kan turns me and Maria into stuntwomen.
We climb up and down this treacherous hill (decorated with sneaky loose pebbles and mimosa) about three times. Kan sacrificed two of his t-shirts to protect our hands as we scrabble up and down the hill.
And then I get intimately acquainted with some tall prickly grass up on the hill.
We meet up with our Malaysian co-actors, Dean and Nash.
Dinner at a semi-posh Italian restaraunt which boasts strange toilet signage.
It takes me the second visit before I vaguely understand how either duck represents each gender.
More filming at Dean’s apartment, which is just one minute walk away from Hotel Istana. Dean has wireless access so I snatch minutes in between shots to upload a short blog while the guys set up.
Maria and I are released to check into our hotel rooms. OH MY WHAT A ROOM.
Maria and I have separate rooms.
Apparently, this hotel is a favourite among many dignitaries.
I have a view of the Petrnoas Twin Towers.
The broadband charges, though, are RM15 an hour. Might as well kill me now. Plus it is super problematic, with faulty network cables and dodgy connection.
I am ready to drop dead now but I have a restless sleep because I’m freezing. Turning the thermostat up by 10 degrees C doesn’t seem to do much.
RISE AND SHINE FOR DAY 2!